In an interiors world increasingly shaped by authenticity, personalization and individuality, Four Hands Art Studio (FHAS) is setting a new benchmark — and it’s one that bridges fine art and accessibility without compromising on technique or craftsmanship. In 2017, the multifaceted studio invested in the acquisition of Wonderwall Studios — a strategic move that positioned FHAS to evolve into a creative powerhouse of innovation, now operating out of a 90,000+ square foot art production facility in Austin, Texas. With over 175 artist partners and a proprietary cutting-edge technology capable of replicating gallery-level texture and dimension, Four Hands Art Studio is redefining how people live with art — and how artists build sustainable careers.
At the center of it all is seasoned art world veteran, Brooke Elliott, the studio’s Director of Art Development. Elliott has spent nearly two decades bringing art into both residential and commercial settings, building artist relationships and using technology to bring original artworks to life. “The Four Hands Art Studio — which is celebrating its 8th anniversary in July — began as a product development studio with art consultation services. It’s grown into a state-of-the-art in-house art studio that produces thousands of artworks in collaboration with more than 175 independent artists across the country,” says Elliott. “The journey has been extremely rewarding. It’s an incredible feeling to expand access to collectible artwork for a wider audience and influence how people are living with art — while helping artists broaden their reach and transform the trajectory of their careers and livelihoods.”
Aurelia dining banquette, L Shape – A design collaboration by Amber Lewis and Four Hands.
Four Hands’ mission has always been to furnish the whole home, and FHAS makes good on that vision by offering more than 6,000 shoppable art pieces across a wide range of media and styles. Think painterly abstractions, hand-frayed canvases, mesmerizing photographic series, dimensional collages and more — all produced in-house with artisanal care. “Everything is handcrafted here in Austin,” says Elliott. “From printing to framing to finishing, there’s a human touch in every piece.” The brand’s 2024 collection with designer Amber Lewis, for example, included a slew of gorgeous, complementing artworks such as by FHAS artist Tyler Guinn, but it also brought in two artists Lewis had previously worked with: Chelsea Fly and Lori Marie. “Our team is constantly sourcing new potential partnerships and exploring all avenues to discover emerging artists including art fairs, showcases, community events and word of mouth,” explains Elliott.
Breakthrough by Aileen Fitzgerald.
This commitment to craftsmanship is matched by a deeply artist-centric approach. FHAS works on a royalty model, allowing artists to focus on their creative practice while the studio manages the rest — from marketing and production to fulfillment. “Our expert team of curators, printmakers and framers approaches every piece with intention — ensuring every work feels truly bespoke,” says Elliott. “When executed at the highest level, reproductions can closely mirror the original, preserving the artist’s vision with integrity. We’ve watched artists evolve from part-time to full-time creators, expanding their reach and attracting new collectors.”
Lakon Light Art Easel Espresso Oak – Amber Lewis Collection.
To stay on top of rising trends and assess gaps in the existing collection, the FHAS team implements a variety of discovery and research methods. The findings are then shared with the studio’s artist roster to help them identify potential new works to submit. Artists like Aileen Fitzgerald (a favorite of Elliott’s) — whose ethereal abstracts Breakthrough and Intertwined are now customer favorites on platforms like Perigold — embody this transformation. Artists such as painter and sculptor Paul Meyer, meanwhile, have reached cult status with bestsellers such as Burro Noche (another Elliott favorite!).
Burro Noche by Paul Meyer.
What sets FHAS apart isn’t just its art curation — it’s the proprietary technology driving it. The studio is the only one in the U.S. with three SwissQ 3-D printers, which recreate the depth and texture of brushstrokes with stunning accuracy. Paired with a Metis flatbed scanner and Superfici paint machine, the studio can produce museum-quality reproductions at a scale and price point that disrupts traditional art world barriers. “Our mission is to preserve the integrity of original works while making them accessible,” says Elliott. “Through our advanced technologies, we offer art experiences that feel personal and premium — while dismantling barriers and allowing more people to enjoy these artists’ works.” Sustainability is also woven into the process. Custom packaging systems reduce material waste, and the in-house approach cuts down on third-party logistics, resulting in a more environmentally thoughtful operation.
Intertwined by Aileen Fitzgerald.
With a growing team of over 60 art studio experts, framers, highly-trained curators and print specialists — and an expanding portfolio of artist partners — FHAS is poised for even greater things. The FHAS model doesn’t just support creators; it reshapes how consumers and designers interact with art in the spaces they love. On another decorative note, the studio also launched its official wallpaper collection in 2024 — offering a diverse range of mural designs and repeating patterns in various colorways printed on Terralon, a Type II vinyl that’s safe for bathroom applications. Available on the Four Hands website, the collection currently offers 20 distinct designs.
Four Hands Art Studio; FHAS’ Limewash Mural in Moonbeam.
“We’re curating for real life,” Elliott concludes. “Art should be enjoyed, explored and lived with — not just admired from a distance. Whether it’s a gallery wall in a home or a statement piece in a commercial project, we’re proud to help make art more approachable, while honoring the talent and stories behind each piece.”
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