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Maker Monday: An Aspire Exclusive Interview With Helen Prior

Like any artist, Helen Prior brainstorms in drafts before finalizing a project. Instead of sketching ideas for fabric patterns and prints on paper or online, however, Prior carves her thoughts into clay. At her aptly named studio Clay to Cloth, she perfects her designs in the creation of ceramic and, from there, translates her work onto fabric, wallcoverings, and more. With a background in fashion design, Prior decided to broaden her artistic outreach by incorporating a pottery affinity into print work, resulting in a range of subtle, applicable designs. Introducing this week’s Maker Monday, Helen Prior.

Prior often uses flowers as the center of her designs, layering petals and leaves in thin strokes to evoke shadow and mass.

Prior often uses flowers as the center of her designs, layering petals and leaves in thin strokes to evoke shadow and mass.

Andrew Joseph: You’re the newest Crayola color. What color are you and why?
It’s always hard to narrow down to one color when there are so many beauties to choose from. The palette I am using at the moment is soft colors and neutrals with an unexpected touch of bright color. Many of the colors I use throughout my work originate from the clay and glazes I use. My very favorite at the moment is Celadon a traditional Chinese glaze that was created to emulate jade. It is a soft green with a little grey but it still has brightness to it. It feels new and interesting right now.

Andrew: What would you like to be remembered for?
Not following the crowd, creating new things by pushing the limits of my work.

Prior’s designs focus on subtle tones, using brighter colors as accents or backgrounds to a focal point.

Prior’s designs focus on subtle tones, using brighter colors as accents or backgrounds to a focal point.

Andrew: If you could be any animal in the world, what animal would you be and why?
I would be my dog Ziggy. He has the best time running around, doing doggy things, then sleeps blissfully for hours on my bed.

Andrew: What’s your design pet peeve?
All-white kitchens. They make me nervous – all that blank space! Have a little fun, people – add some color, texture, art, if all that is too much at least throw in a bit of wood – please!

Andrew: If you had a superpower, what would it be?
My Superpower would be teleporting. I would zap around the world visiting friends and family. Hopefully, I wouldn’t get too annoying dropping in on people.

The mediums of patterns like Scale Balance and Beautiful Geometry range from ceramic bowls to fabric to wallpaper.

The mediums of patterns like Scale Balance and Beautiful Geometry range from ceramic bowls to fabric to wallpaper.

Andrew: How do you define beauty?
Beauty is definitely in the eye of the beholder – it is anything that makes your heart sing.

Andrew: What would your dream project be?
I would love to collaborate on a boutique hotel. I love hotels that have their own personality and sense of place. It would be a wonderful chance to showcase all the different aspects of my work including fabrics and wallpapers as well as my ceramics and my decorative furniture. I would love to create a charming and comfortable space.

Andrew: What advice would you give your teenage self?
Everything changes – good and especially bad – nothing stays the same.


About The Maker | Her parent’s 70’s home, with large-scale printed curtains and wallpaper, inspired British-born designer Helen Prior to become a fabric designer and collector. She’s been called “fashion’s best-kept secret.” Her print designs and incredible archive of textiles dating from the 1880s have resulted in collaborating with designers such as Anna Sui, Rebecca Taylor, and Rozae Nichols. Not wanting to be a secret anymore, Helen is literally carving out her own style and creative voice in a unique experiment that cross-pollinates her fabric expertise with her love of ceramics.The organic, hand-crafted quality of her ceramics is what first inspired Helen Prior to start using clay as a sketchbook and canvas for her fabric designs. Her process begins by creating clay ‘manuscripts’ that are carved, cut, stamped, hand-glazed, and fired. These ‘manuscripts’ became the building block for her creations. This multi-medium approach is what allows Helens forms and patterns to work seamlessly across fabrics, ornaments, wallpapers, and furniture. The subject matter of Helen Prior’s work comes from the sophisticated patterns and rhythms of nature. Layering leaves, flowers seeds. Cross-referencing the wildflowers and weeds in her garden with stylized flowers in her textile archive to create hybrid, cross-pollinated, super plants and patterns. Amongst all the paired-down clean-cut shiny modernism, there is a space and a need for cohesive thoughtful modern decorative design. Working across fabrics, wallpapers, and ceramics. Helen Prior’s work can be easily integrated in any interior space to create an unforced impression of natural connection and visual cohesion.

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