Step Inside The Radical Homes And Hideouts Of Movie Villains In This ASPIRE Must-Read

Like evil itself, the abodes of movie villains are frequently compelling and seductive. The villain’s lair, as popularized in many of our favorite movies, is much more than where the megalomaniac goes to get some rest. Instead, the homes of the villains are places where evil is plotted and where, often, the hero is tested and must prove him/herself. From a design standpoint, they tend to be stunning, sophisticated, envy-inducing expressions of the warped drives and desires of their occupants. In Lair: Radical Homes and Hideouts of Movie Villains, readers are invited to explore the architecture of villainry through rich content that includes in-depth visual and written material and a striking graphic design that features silver ink on black paper.

Lair, edited by internationally acclaimed architect Chad Oppenheim with Andrea Gollin, explores the architecture of these structures through photographs, renderings, essays, interviews with industry professionals, and critical analysis. The book, which appreciates and celebrates all things villain, focuses predominantly on modern homes from fifteen films, including The Spy Who Loved Me, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, The Incredibles, Ex Machina, Blade Runner 2049, Star Wars, and Diamonds Are Forever. From futuristic fantasies to deathtrap-laden hives, from dwellings in space to those under the sea, pop culture and architecture join forces in these outlandish homes.

 

Contextual essays include an examination of why villains live in great architecture by Frye Museum director Joseph Rosa; excerpts from a series of conversations that cultural critic Sir Christopher Frayling conducted with late production designer Ken Adam, especially known for his work on the Bond films and Dr. Strangelove; and a discussion between architect and Lair editor Chad Oppenheim and director Michael Mann, moderated by architect Amy Murphy. Highlights include interviews with production designers and other industry professionals such as Ralph Eggleston, Richard Donner, Roger Christian, Gregg Henry, Mark Digby, David Scheunemann, staff at Weta Workshop, and excerpts from an oral history with late architect John Lautner. The book includes original renderings of spaces in each film by Carlos Fueyo.

Lair is the brainchild of internationally renowned architect Chad Oppenheim, and it is the first title in Tra Publishing’s Design + Film series. It will be followed by Ride, coming in 2020, which will investigate vehicles in film.

Be sure to check out more of ASPIRE’s recommended page-turners here!

Like what you see? Get it first with a subscription to ASPIRE DESIGN AND HOME Magazine.

Facebook Comments
No Comments Yet

Leave a Reply

Your email address will not be published.

ASPIRE DESIGN AND HOME is seeker and storyteller of the sublime in living. It is a global guide to in-depth and varied views of beauty and shelter that stirs imagination; that delights and inspires homeowners as well as art and design doyens. Collaborating with emergent and eminent architects, artisans, designers, developers and tastemakers, ASPIRE creates captivating content that savors the subjects and transports with stunning imagery and clever, thought-provoking writing. Through lush and unique visuals and a fresh editorial lens, ASPIRE explores what is new and undiscovered in art, interiors, design, culture, real estate, travel and more. ASPIRE DESIGN AND HOME is an international narrative and resource for all seeking the sublime.